Showing posts with label Shanna. Show all posts
Showing posts with label Shanna. Show all posts

Wednesday, 3 March 2010

Iconography



we are going to use some iconography in our film, in particular the victim shall be wearing a red dress. We chose this colour as it is often symbolic of danger, and death which emphasises the fact that muder has taken place at the beginning of the sequence. The brightness of the colour also works well in the shots of the dead body as it contrasts with the comparitively dull background of the forrest and makes the victim stand out by catching the eye of the audiance.




Similarly, the villain will be dressed in dark colours to symbolise evil and emphasises the mystery surrounding the identity of the killer as we never actually see his face in the sequence.


Tuesday, 26 January 2010

The titles such as the names of the people in our group etc will be displayed using type writer style text to echo the crime thriller sub-genre of our sequence. We will do this using the text editor on final cut express

Monday, 18 January 2010

research for our thriller

I have researched special effects which are compatible with final cut express and have found a website which we could use to download free special effects to add to our thriller to give more exciting and proffesional finish to the opening sequence.

www.detonationfilms.com

I have also found basic tutorials on youtube as to how to use this software which would allow us to incorparate it in our thriller easily

the human factor

Analysis : The human factor
The atmosphere at the beginning of the sequence is somewhat tense, with the use of acoustic guitar which is reminiscent of western ‘stand off ’music , coupled with the deep red background, which usually symbolises danger. The title sequence seems to create a feeling of confusion for the audience as it is unclear what much of what is on the screen is in some parts and how it links to the film. This is shown by using an extreme close up of the animation of the abandoned telephone as the establishing shot which adds to the confusion and tension as the audience is unsure of what the image is. As the E.C.U zooms out slowly, the identity of the object is left open to interpretation for a while as at some points it looks like a drawing of a pair of binoculars until it zooms out to reveal the phone. The sense of mystery continues as the camera tracks the phone cord, leaving the audience wondering what it leads to, which teamed with the non diagetic music dubbed over the top, creates an atmosphere of slight tension and unease. Links to the title ‘Human factor’ can also be seen here as the phone cord starts to resemble the lines on a heart monitor.
As the sequence progresses the music lightens and takes on a more comical feel as it speeds up and more guitars are added, however this contrasts with the image now being presented, as now the audience can see the full phone animation, which has taken on more chilling connotations as the phone is hanging and has been cut at the end, this adds reinstates the initial tension as phones are usually perceived as a life line, which in this sequence has been severed. The title has been used to separate the phone receiver from the cord, suggesting to the audience the theme of the film which may be to do with some sort of broken communication.http://www.youtube.com/watch?v=Ignl1WwvyiU&feature=related

Wednesday, 13 January 2010

Thriller Title Sequences

Cape Fear
Water: - Distorted images, reflections.
- Death/drowning connotations.
- Links 'cape' with water/lake.
- Part of narrative.

Red: Danger, blood drop.

Bird: Predator from low angle - hunter.

Silhouette: Mysterious, villain, hidden identity.

Eyes: Red, negative - danger - victim - vulnerable, horror, shows fear.

Sound: Musical score - disturbing, suspense - in combination with images.
Slow strings - low pitch - pace increased slightly.



Vertigo
Graphic swirls: Confusion - connection to an eye - her point of view - dreams.
State of mind, and effect of falling (dizzy) into darkness.

High pitched orchestral music: had a narrative - worked on contrasts.

Volume of score: Tense/uncomfortable.

Female eyes: Wider - fear/ danger - red.
A trapped character - don't see all of face - mysterious.

Zoom into eye: Taking spectator into her mind - trapped.